Original Death Note Musical Japanese Cast. Image of Light Yagami's two live action actors and L's actor in the middle.
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Death Note the Musical’s soundtrack is full of brilliantly crafted pieces that perfectly encapsulate everything fans love about the animated series. The musical’s source material, the Death Note manga series, was written by Tsugumi Ohba and illustrated by Takeshi Obata. Furthermore, it was first serialized in Weekly Shōnen Jump on December 1, 2003.
As the ticking continues, a chorus chimes in, ominously singing the name “Kira” repeatedly. The harmonic relationship of the vocals, coupled with the low-sounding horns, creates a cult-ish sound. First, the vocals are tightly-knit, with the bass in the forefront, imitating a chanting crowd. However, the higher harmonies soon emerge, resembling screams. This manipulation of harmony and vocal delivery exemplifies the duality of Light’s mission.
8 Playing His Game Light and L’s calculated tennis match is brought to life in "Playing His Game." Close "Playing His Game" brings one of Death Note’s most iconic scenes to the stage. In Episode 10 , rivals L and Light engage in a dramatized tennis match at Todai University. While they try to play it off as a friendly game, L and Light attempt to get inside information about their opponent’s personality and thought process.
6 Stalemate Death Note is known for its use of internal monologues, and the musical version is no exception. "Stalemate" is made entirely of internal monologues from the three main characters of the musical: Light, L, and Misa. The song takes place as L confronts Light for the first time at the Todai entrance ceremony. The song is a combative duet between Light and L, as they commit to engaging in a war of the mind.
“You're the only part of me I'm certain will live on. All I ask of you is to remember love is never gone.” – Rem “The game begins the same way. The chase is on. The die is cast. I sift a thousand pixels, until I chase you down at last.” - L Throughout the song, Light accepts his position as god of the new world, which he plans to shape into his idea of justice. He is the mighty hurricane. Jeremy’s vocals are expertly suited to the song’s highs and lows. It begins softly as Light embraces his calling. Then, it steadily increases in passion and volume until the piece ends in a thundering forte.
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