Mason is a passionate lover of all things film. A Canadian film student currently pursuing his Bachelor's in Film and Television, he is eager to express his knowledge as an author for Collider. https://letterboxd.com/ReallyRipley/
Thriller movies are the cinematic equivalent of roller-coaster rides. Fascinating and adaptable, the genre isn't constrained to any specific type, either. Whether horror, action, drama or mystery, thrillers have remained an applicable and reliable form of entertainment since the beginning. A good thriller raises heartbeats, builds suspense and keeps viewers on the edge of their seats.
From legendary Austrian director Michael Haneke, Caché is a thriller/mystery that takes the time to unnerve and build suspense. While the narrative takes some dark turns in the later stages, a lingering sense of dread and paranoia is already present in the movie very early on. Like the best entries of the genre, Caché is allowed the time to simmer before the climactic boiling-over point is reached.
Vicious, brutal and relentlessly paced, Green Room is a white-knuckle thriller that masterfully establishes a hostile atmosphere. The grimy, graffiti-laden dive bar can best be described as an industrial punk coliseum where violence is the only way to survive. Green Room is exceptionally violent but never gratuitous; the intelligently constructed thrills and grounded nature of the story make for an incredibly engaging watch.
No Country for Old Men is a contemplative and subversive thriller. Dark, gritty and completely void of fluff, this brutal and unapologetic movie operates on a different level than most. No Country for Old Men builds suspense in a familiar fashion but provides an unconventional yet thematically fitting payoff for most of its threads. The matter-of-fact approach to violence is disquieting and works to communicate a setting where no characters are safe, no matter their significance to the plot.
The Girl with the Dragon Tattoo is as bleak and uninviting as thrillers come. Director David Fincher has a penchant for the dreary, and this movie is as icy as its snow-capped Swedish setting. A history of sadistic and cyclical violence is unearthed, and an aura of dread lingers with little alleviation; yet, The Girl with the Dragon Tatoo remains extremely effective all the same, elevated by a career-defining, Oscar-nominated performance from Rooney Mara.
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