Diego Pineda has been a devout storyteller his whole life. He has self-published a fantasy novel and a book of short stories, and is actively working on publishing his second novel.
Animation is a medium unlike any other, capable of being the vehicle for unique stories that film could never encapsulate otherwise. This is thanks to its limitless visual capabilities and the room that it leaves for filmmakers' imaginations to run wild. Since The Adventures of Prince Achmed, the true first animated feature, artists have been using animated cinema as a tool to tell magical stories of wonder and adventure.
One of the most underrated anime movies of all time, Belladonna of Sadness is a gorgeous picture both visually and aurally. Anchored by a creative animation style and a psychedelic score, it grabs viewers' attention and enthralls them more than enough to keep their attention fixed on the surrealistic narrative.
Described by Oscar-winner Miloš Forman as "Disney + Buñuel," Švankmajer is a director who has helped define the language of cinematic surrealism with works like Faust. It's an eccentric mixture of animation and live-action, with the best of its director's idiosyncrasies on full display. Delightfully bizarre, profoundly intelligent, and unafraid to experiment with crazy ideas and its own diegesis, Faust is the perfect introduction to this unique auteur for newcomers.
Its pretty watercolor animation and kid-friendly tone only add to the magic of Ernest & Célestine. It reminds viewers of simpler old-fashioned times of animated fantasy films about talking animals, drawing strength from classic influences that it wears out on its sleeve with pride.
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