Keisha Castle-Hughes as Hana Gibson behind a laptop in FBI Most Wanted.
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT There are several easy changes FBI: Most Wanted could make in order to improve its quality. Serving as the first FBI spin-off, the series offered consistently high-quality stories during its first two seasons, but the caliber of its episodes began slipping during season 3, which ran over the 2021-2022 season.
5 Solve Casting Issues So That The Cast Remains Stable It's Hard To Get Invested In Characters That Constantly Leave Close Police procedurals like FBI: Most Wanted need to rely on a stable cast of characters because the plots are similar to what other shows in the genre have to offer. Interchangeable or unmemorable characters will not be compelling enough to retain large audiences. Series like those in the FBI franchise require relatable characters who appear consistently.
One way to make amends for this lack of a proper exit story would be for Kristin to resurface on FBI: International as the replacement team leader for Scott Forrester, who recently went MIA. However, this solution wouldn't help improve FBI: Most Wanted's quality and would leave behind that segment of the audience that does not watch FBI: International. Instead, Kristin could simply be written back into FBI: Most Wanted.
Without standing on its own as a series, FBI: Most Wanted will never give audiences who are interested solely in the show a reason to stay. They could easily fall into the trap of only watching for crossover episodes without being pulled into the show completely. Even as a spin-off, the series needs its own identity without relying too much on the flagship.
The simplest way to fix this problem is to include longer stories that span several episodes. It can be challenging to create these types of narratives without dragging things out unnecessarily or becoming boring, but it would be worth it to experiment with cases that take more than one episode to complete because they would be fresh and original. These episodes could include high-stakes cliffhangers that would generate interest and discussion before the next part of the story airs.
The new rules regarding how much screen time each main character will get give the writers a perfect opportunity to transition into more character-focused storytelling. Each story could go in-depth on one or two characters, including a side story about their home or personal life and their challenges in the current case. This would allow for better, fully developed characters that are more relatable to the audience and easier to invest in.
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