Kayla Turner is a nomadic creative who writes about TV, movies, and her deepest feelings. When not writing, she is DJing at bars or is eating noodles.
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Stephen King is undeniably one of the most prolific writers in the horror genre. However, certain elements in his books remain controversial, making them difficult to read even today. Every Stephen King book contains a vast array of chilling tales that have captivated and terrified readers worldwide. His works have often pushed the boundaries of the genre, exploring taboo subjects with unflinching honesty.
While the film adaptation, which is one of Kathy Bates' best movies, features a memorable and cringe-worthy scene where her character Annie breaks Sheldon's legs with a sledgehammer, it pales in comparison to the novel's far more violent and visceral amputation scene. The decision to omit this particular moment from the film was likely due to its extremely graphic nature, which could have pushed the boundaries of what is typically tolerated on screen.
King's decision to incorporate Sue's miscarriage into the story adds a layer of complexity to the already disturbing tale. While Carrie is considered one of horror’s best female villains, the loss of Sue's unborn child serves as a stark reminder that the consequences of violence and cruelty often extend far beyond the intended targets.
The decision to sacrifice Jake for the sake of the quest raises difficult questions about the value of individual lives, the greater good, and the consequences of single-minded devotion to a cause. Roland's choice to let Jake die can be seen as a reflection of his unwavering commitment to reaching the Dark Tower, even at the expense of his own humanity.
The death of a child in a story, particularly in the manner depicted in Cujo, is a highly sensitive and emotionally charged subject. King's choice to include this plot point subverts the common trope of children being spared from harm or saved in the end. In contemporary society, the death of a child in fiction is considered even more taboo or problematic, as it taps into deep-seated fears and challenges societal norms surrounding the protection and sanctity of children's lives.
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