A Film Bro Chafes in the Charming Coming-of-Age I Like Movies

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A Film Bro Chafes in the Charming Coming-of-Age I Like Movies
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A terrible film bro gets his own winning, biting coming-of-age without sacrificing how off-putting he is. Our I Like Movies review:

. Unclogged from the gnarliest pre-Letterboxd outcast-to-film-bro pipeline comes the delightfully unpleasant Lawrence , a high school cinephile who is repertory theater B.O. personified. Writer/director Chandler Levack finds uncommon honesty in this Canadian video store employee and those he chafes against, even if the coming-of-age story eventually falls into some of the more palatable pitfalls its strident star would rail against.

Lawrence is a mewling movie snob, of the kind now so parodied to death that handsome TikTok stars with perfect teeth use them as stock characters. But Levack imbueswith a dignified unlikability—a confidently written and performed character who’s a little jerk to his single mom and an emotional leech draining his manager at Sequels, Alana . It’s realistic, unflattering and too true to life to be anything but personal.

And sure, a self-obsessed, high-and-mighty slacker inflicting himself upon the world around him isn’t new territory. It’s also not inherently fun to watch. But thoughbuilds itself on a familiar friction, its ornaments make it go down smooth. Lawrence’s obsession with Paul Thomas Anderson, Stanley Kubrick and Todd Solondz is a stereotype, but not a false one and not one that leans on simple observations of male myopia.

Once you leave the multiplex, the dissatisfaction hits like sunlight. The film’s pulled-taut characters walk around wearing armor made of irony, each waiting for someone or something to hit the release valve and let their panic attack or furious monologue escape. When Lawrence finally breaks down, or when Alana steals the movie with a long late-night revelation, or when Matt snaps at the little shit he’s been hanging around with, you exhale—finally. But in these moments,wavers.

But he’d love the rest of the movie he lives in. Levack’s filmmaking, her sense of place and her placement of sensory details , build out a time capsule, plated with nostalgia and tarnished by hindsight. It doesn’t have a romantic view of high school, or even a romantic view of the movies , but it does have a romanticism about its fringe-dwellers.

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