The 'Scream' team whips up a thrill ride in which kidnappers suddenly find themselves dealing with a bloodsucker run amuck.
you think that you’ve heard this one before: Some criminals abduct a rich guy’s child and demand a hefty sum to give the youngster back. The “victim” then proceeds to make life hell for the kidnappers. It’s more or less the plot ofarguably O. Henry’s best-known work.
The good news is that, even though this particular secret is out in the open, it’s not the only thing that this sly genre mash-up has going for it. Having worked as two-thirds of the filmmaking trio known as Radio Silence, Bettinelli-Olpin and Gillett made a name for themselves as practitioners of short, sharp scares laced heavily with dark meta-commentary and even darker comedy.
After the ragtag recruits for this specific snatch-and-grab have the 12-year-old Abigail in their possession, they rendezvous with their primary contact, Lambert . Once the child’s dad delivers the $50 million ransom, they all go home rich. Meanwhile, the gang just needs to lay low for 24 hours in the conspicuously spooky mansion he’s chosen for their safe house. They’ve all been given code names, based on the Rat Pack: Frank is the resident hacker/tech geek. Peter is the muscle.
One of the many casualties of moviemaking and moviegoing in the year of our lord 2024 has been a real, honest sense of fun — even the summer-movie tentpoles and Friday-night-at-the-multiplex fare now often feel painfully rote, bled dry, left to suffer a death by thousand clichés and pandering gestures and second guesses about what people want to see.
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