Alexander McQueen Resort 2025 collection, runway looks, beauty, models, and reviews.
The new McQueen lookbook was photographed at Hatfield, a grand country house outside of London. There’s an oak tree on the property that is said to be the site where Elizabeth I learned she would become queen. “It’s quite mega,” said creative director Sean McGirr of the old manse, one of whose astounding wood mantelpieces features in these pictures. “I thought about this aristocratic punk—that’s just very McQueen, that's who he was surrounded by, think of Isabella Blow.
The late magazine editor Isabella Blow, who famously bought the entirety of Lee McQueen’s graduate collection, is the subject of a biopic in pre-production. In it, Andrea Riseborough stars as Blow, Emilia Clarke plays her pal Daphne Guinness, and Hayley Atwell takes on the role of Alexandra Schulman, theeditor who employed her. IMDb doesn’t list an actor for McQueen, but surely he’ll have a part in the story.-y location of this shoot suggests the newcomer McGirr has cottoned to that fact.
Being an off-season without the high stakes of a runway show, this collection registers as more street-ready, or maybe house party-ready, than his fall debut. He said the concept for the shoot was “girls and boys hanging out, wearing each other’s clothes.
English school uniforms were a starting point, their aristocratic connotations tweaked by the irreverence of double-breasted jackets nipped tight, cargos cut with extra slouch, and shirt collars that extend almost to the shoulders. McGirr said the clothes were designed to be unisex, including the paperbag-waist trousers, soft blouses with boho ruffles, and cropped cardigans shrunken enough to leave gaps between their buttons. “I like the idea that you don’t change it,” he explained.
The collection’s print is a rendering of Velazquez’s portrait of the Pope Innocent X, chopped up and reassembled on pajama separates and an asymmetrically draped dress, and embellished with crystals on a turtleneck bodysuit. McGirr is an art lover who likes to spend his trips to New York in its galleries, so it’s tempting to look for easter eggs in the 17th century masterpiece.
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