Zach Moser is a Philadelphia native who loves films, television, books, and any and all media he can get his hands on.
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Iranian American filmmaker Ana Lily Amirpour now has three feature-length films under her belt and each one offers up something unique and compelling for the audience. Amirpour is one of the woefully few female directors currently working in Hollywood, but since her debut in 2016 with A Girl Walks Home Alone at Night, she has continued to gain recognition, making the movies she wants to make with in-demand actors.
Related Cabinet Of Curiosities: The Outside Ending Explained Cabinet of Curiosities: The Outside features a bloody and mysterious end for Stacey and the Alo Glo troubles plaguing her home and work life. The film has a 74% on Rotten Tomatoes and features the stylish and lurid plotting and types of characters that Amirpour has previously been successful with. Jeon in particular, is great as a woman unsure of her powers, and the actor plays her hopefulness, desperation, and cold detachment well. Mona Lisa and the Blood Moon does end too quickly, however, and feels a bit more like one of Amirpour's horror TV episodes in terms of narrative heft.
Though the plot does feel too stretched out, an example of Amirpour's continued issues with pacing, the visuals, characters, and stylistic choices are so unique that they make getting through the slower parts of the film much less of a slog. Amirpour creates a festival of different visual styles between the dusty villages of the desert and the rave-like Comfort city where Arlen finds reprieve.
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