Gothic sound design and a trio of sharp central performances lend this version of Lisa D’Amour’s rather mystifying play some definition
isa D’Amour’s play is as weird as its title suggests. First seen in Texas in 2001, it is a mixture of ghost story, prose poem and paean to nature. Even if I found much of it impenetrable, I was impressed by Jessica Lazar’s production and the discipline of its performers.
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