What constitutes a “black” story? If the novelist, screenwriter, or director behind the story is black, is that sufficient?
If the characters are of African descent, is that good enough? Or are there certain requisite elements in terms of setting, plot, dialect, and the moral character of the protagonists that ultimately determine the answer? And, if there are, what becomes of a black author who’d rather write a retelling of Aeschylus than a story about urban drug dealers and teenage mothers?, now streaming on Amazon Prime, deliberately refrains from providing all the answers to these questions.
Monk also happens to be black, which is hurting him professionally — not because of overt racism in the publishing industry but because his novels are not “black enough” for upper-middle-class white people who spend more time thinking about race than he does.), which Monk sees as a genre of fiction that traffics in the most abhorrent stereotypes about black people and that doesn’t speak to his own experience.
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