Paul Hatton believes Blender 3.5's new features signal a bright future for this free 3D art software.
Blender continues to impress. Its dedicated user base and development team is consistently delivering top-quality tools and reducing the gap to more established digital content creator software. This release of Blender 3.5 lays incredible foundations for further improvements.Hair tools still don’t support simulationOur expert reviewers spend hours testing and comparing products and services so you can choose the best for you.Since Blender 3.
This is a game-changer for digital sculpting in Blender because it essentially enables artists to drop ready-made features into their sculpts. For faces, this includes the likes of noses, mouths and ears, but these displacements could include anything. One of the biggest highlights is that sculpting of the newly created geometry can continue, as normal, straight after.
One of the downsides to a tool like this could be that artists get lazy relying on the same old assets, resulting in work that starts to look a little predictable. This can be partly mitigated against by further sculpting features after they have been inserted, but this might not be enough to mask a cookie-cutter approach.The Blender world, for character artists, gets even brighter with another character-related feature improvement.
A lot of this is done away with as Blender introduces a new GPU-based compositor that overlays edits on top of the compositing result. This means that colour corrections, lens distortions and glare, to name a few, are overlaid right inside the viewport. I love this feature, but it's still work in progress, so don't expect it to be perfect just yet.
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