Canon EOS R5 II hands-on: Nifty eye-tracking autofocus and reduced overheating problems

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Canon EOS R5 II hands-on: Nifty eye-tracking autofocus and reduced overheating problems
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Steve should have known that civil engineering was not for him when he spent most of his time at university monkeying with his 8086 clone PC. Although he graduated, a lifelong obsession of wanting the Solitaire win animation to go faster had begun.

. With a new 45-megapixel backside-illuminated stacked sensor, it not only has superior specs for video, shooting speeds and more, but also adds advanced features like eye-controlled AF. The R5 II was launched alongside Canon 's new flagship, the EOS R1, which I've covered in a separate post.

Other controls are mostly where they were. The original R5 was already a sweet-handling camera, with a comfortable grip and logical control layout, so Canon wisely left well enough alone. With the new stacked sensor, the EOS R5 II is faster than ever. You can shoot blackout-free bursts at up to 30 fps in electronic shutter mode, or 12 fps using the mechanical shutter. Rolling shutter is also substantially reduced. The R5 II has a large buffer as well, supporting up to 93 RAW and 20 compressed RAW shots before it fills in electronic shutter mode.Autofocus is improved in nearly every way, too.

Shooting in the basketball scenario Canon set up, I found the AF to be generally reliable. The new pre-continuous shooting feature is also a nice bonus, helping ensure you capture shots even before fully pressing the shutter. However, some new things like action crossing require practice to get used to and I didn’t have enough time with the camera to adapt.It’s hard to evaluate image quality in pre-production cameras, and Canon warned us that it was still working on RAW processing.

A lot of my shooting was done in a gym with relatively low light, but the R5 II handled the high ISOs without generating excessive noise up to ISO 6400 or even beyond. It’s not in the same league as the R1, though, so you’ll need fast lenses if shooting action in dark spaces.The R5 II is a seriously powerful video camera, right up there with Nikon’s Z8 or Z9. You can shoot 8K DCI RAW video at up to 60 fps, or 4K RAW at 60 fps.

That takes us to the most glaring issue: overheating. The original R5 certainly struggled in this respect, with temperature limiting recording times in some modes.With the new camera, the only modes affected are 8K 60p RAW, which is capped at 18 minutes, 8K 30p limited to 37 minutes and 4K 120p, which shuts down after 22 minutes. Adding the fan accessory removes most of those limitations and increases operating times at 8K 60p RAW and 4K 120P.

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