Daniel Brush’s drive to understand beauty led him to the life of a hermit

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Daniel Brush’s drive to understand beauty led him to the life of a hermit
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Daniel Brush produced hundreds of objects, most of them exquisite and many astonishingly small. Every piece advanced his understanding of the materials he was using

Save time by listening to our audio articles as you multitaskHe, facing them, could hardly stand still for nerves. He leaned against the wall as if he hoped it would swallow him. His words jerked, and sometimes burst out in anger. Deliberately, he still wore his surgical binoculars and 40-power loupe clamped over his eyes and his leather apron round his waist. He had broken off his work to talk to them, he was touched to see them, but he must get back to it. He had to get back.

If he thought he did, he would be in the studio by 11, and might work for 18 hours straight. He went in like a boxer, expecting a fight. His thoughts and the material grappled together as long as his momentum lasted; he downed tools as soon as it lapsed. A piece might dwell in the studio for decades before he addressed it again. He did not grasp or use the word “complete”, for the work was never-ending.of all sorts, most of them exquisite and many astonishingly small.

Each piece was hand-made there in the studio. He worked alone, too impatient to do otherwise, and never finding anyone else who wanted to do what he wanted to do. Rather than use electricity, he laboured in a forest of antique machines, including the largest private collection of lathes in the world. On these he turned minutely patterned boxes made of mastodon ivory 40m years old, or engraved thousands of rainbow-reflecting lines on flattened billets of steel.

He resolved then and there that he would make such a bowl, and gold became the study of his life. Simply to watch it melt, turn to red-hot and white-hot, then glow purple, was magical. To hold pure gold grain and let it sift through his fingers restored his equanimity of spirit. To outside eyes his own granulation, with 78,000 hand-made grains applied to one dome five inches in diameter, was peerless. He thought he was still rubbish at it.

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