With 'Mija,' director Isabel Castro showcases joy: What futures can the children of immigrants create for themselves and their families?
, Castro strove to showcase joy and radical imagination: What kind of futures could the children of immigrants create for themselves and their families—even and especially in the world of music?A striver seeks her big break
“It’s such a memorable time for me, because it was a struggling process at the very beginning,” Haupt says in a recent phone call. “I was releasing stuff on SoundCloud, I was making stuff through my phone, because I could not afford to get on studio sessions at all.” “I was 14, playing keys at my aunt’s place,” Haupt says. “And he was like, ‘I got you this keyboard. I hope you pursue whatever you’re doing.’ And in Spanish he’d be like, ‘Castro stumbled upon Haupt through sheer serendipity. Castro comes from a television producing background, where the work done behind the scenes can go misunderstood or unseen—much like the work of a music manager.
“I think that the real trauma and grief of these experiences is present too, but on a day-to-day level, some of these other emotions are just as present—and sometimes more present,” Castro says. “I feel like the real hurt and the pain, we carry it with us, but sometimes it’s actually harder to access that.”, Castro was craving an approach that didn’t exclusively focus on trauma, but rather leaned into a nuanced blend of emotions like guilt and resentment and joy.
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