Eleanor Coppola, matriarch of a filmmaking family, dies at 87

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Eleanor Coppola, matriarch of a filmmaking family, dies at 87
Eleanor CoppolaFrancis Ford CoppolaRoger Corman
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Eleanor Coppola, who documented the making of some of her husband Francis Ford Coppola’s iconic films, including the infamously tortured production of “Apocalypse Now,” and who raised a family of filmmakers, has died.

This undated portrait released by the Coppola family shows Eleanor"Ellie" Jessie Coppola. Coppola, who documented the making of some of her husband Francis Ford Coppola 's iconic films, including the infamously tortured production of"Apocalypse Now," and who raised a family of filmmakers, has died. She was 87. iconic films, including the infamously tortured production of “Apocalypse Now,” and who raised a family of filmmakers, has died. She was 87.

“I don’t know what the family has given except I hope they’ve set an example of a family encouraging each other in their creative process whatever it may be,” Eleanor told The Associated Press in 2017. “It happens in our family that everyone chose to sort of follow in the family business. We weren’t asking them to or expecting them to, but they did. At one point Sofia said, ‘The nut does not fall far from the tree.

Sofia became one of the most acclaimed filmmakers of her generation as the writer-director of films including “Lost in Translation” andIn joining the family business, the Coppola children weren’t just following in their father’s footsteps but their mother’s, too. Beginning onEleanor frequently documented the behind-the-scenes life of Francis’ films. The Philippines-set shoot of “Apocalypse Now” lasted 238 days. A typhoon destroyed sets. Martin Sheen had a heart attack.

“I just kept shooting but I had no idea ... the evolution of myself that I saw with my camera,” continued Eleanor, who ended up shooting 60 hours worth of footage. “So, it was a surprise for both of us and a life changing experience.” They remained together, though, throughout her life. And Eleanor continued to seek out creative outlets for herself. She documented several more of her husband’s films, as well as Roman’s “CQ” and Sofia’s “Marie Antoinette.” She wrote a memoir in 2008, “Notes on a Life.”

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