From 'Anora' to 'The Substance,' tales of beauty and its price galvanize Cannes

Paolo Sorrentino News

From 'Anora' to 'The Substance,' tales of beauty and its price galvanize Cannes
Coralie FargeatDemi MooreEntertainment
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After the competition lineup at the Cannes Film Festival got a lackluster start last week, the festival was enlivened by a string of films both fleshy and carnal.

– “Beauty is like war,” says Gary Oldman , in character, in Paolo Sorrentino ’s “Parthenope.” “It opens doors.”

On a ketamine-induced Las Vegas escapade, they impulsively get married. Ivan is the son of a Russian oligarch so Ani thinks she’s hit the jackpot. But soon after they return, Ivan’s father’s loyal henchmen — themselves working-class underlings — arrive to secure an annulment. What follows is farcical and funny until it’s devastating, with a final act that expresses something tragic about transactional sex, and maybe even love.

The rub? They have to trade places every seven days. Any overage — getting too hooked on youth — will dearly cost her. What evolves is an extended and increasingly gruesome metaphor for a male-dominated movie industry and for the self-inflicted obsession of trying to stay superficially young. It's Botox as a monster movie.

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