Quentin Tarantino's film brings to life the LA of the late Sixties
“Gloria Bell is somewhat exhausting – both unbearably intimate and at a constant remove – but it is endlessly pulled back into focus by Moore, who has a firm understanding of the delicate balance between contentment and yearning, joy and pain, recklessness and spontaneity. In a remake that could have felt indulgent in the hands of people less skilled, she more than justifies its existence.”“Late Night is a caustic satirical comedy that turns into an unlikely tearjerker.
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