Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022.
shared with his wife Christiane. She, an artist, would have the back, where there was light through the day to paint, while Stanley, despite the frequent intrusions of paparazzi peering over the hedges, would take the front, working in a ground-floor office surrounded by filing cabinets full of scripts, documents and photographs. There was another promise between the two: when they married in 1958, Christiane, then an actress, asked that she never appear in any of his films.
The home is a handy half-hour-or-so drive to Elstree Studios, the location of many of the director’s film projects, and comprises a jumble of buildings first inhabited by monks in the medieval era . Inside, a warren of rooms lead off from a central kitchen, including a wood-panelled billiards room which appears straight from a Stanley Kubrick film set, and a library with crimson red walls, the mass of books providing a teasing insight into the director’s mind and fixations .
in the middle of summer. It was jarring to the designer, and it laid the groundwork for a collection that pulsated with the film’s restless sensuality, with its sliced red dresses, bulging satin-lined jackets and poinsettia brooches. The latter was intended to capture a sense of heady danger . Elsewhere, Christiane’s artworks appear on garments like apparitions.Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
One such print is an image of Hobbs as a child, lit up by the glow of a computer and surrounded by colourful plastic toys. Outside the window, snow falls, though the flattened plain of perspective lends it a disorientating, dreamlike strangeness. It’s a space Anderson so often inhabits in his collections: a kind of between-world, where archetypal garments are shifted in perspective to become something new. It’s an obsessive, consuming task, much like the work of the artist.
Loewe creative director Jonathan Anderson commissioned international artists and artisans to explore ‘illumination within the house’ with a series of lamps and lighting installations, shown at a group exhibition at Milan Design Week 2024© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.
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