How Illenium Became Asian America’s Favorite White Boy

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How Illenium Became Asian America’s Favorite White Boy
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Illenium isn't Asian himself, but his EDM sets have become an important community space for young Asian American fans

Illenium performs at Head in the Clouds to a crowd full of fans."I felt so special, to be honest,” he says. “Thank you for my acceptance.”festival. Among the sea of concertgoers, one uniform crops up again and again: black jerseys with white piping, one name splashed across the back —

He wonders if the appeal of his music is in the softness of it, if that sound happened to strike a chord with Asian Americans. It’s true that many popular Asian artists like keshi, Joji, wave to earth, and RINI — all of whom have been major draws at Head in the Clouds — play in the same sonic sphere of airy rumination and heartbreak, which Illenium fans reference again and again as thesound. “I think it’s a mixture of the softer vocals. It’s very pretty and symphonic,” he says.

Fellezs, who is Japanese-Hawaiian, first heard about Illenium through his nieces and nephews, who listen to EDM. Fellezs says there can be a particular appeal for young Asian Americans who feel the diaspora is largely splintered. The label of Asian American is vast and nuanced, with immigration influxes from different communities happening at distinct points in history.

He points out K-pop as one modern genre that is almost entirely associated with Asian people, but the genre itself doesn’t speak directly to the Asian American experience. It’s part of whatand Head in the Clouds attempt to address with a festival lineup of artists that hail from different points of the diaspora.

He adds that he tends to tailor his sound to the audience he has. “When I go to Asia, I definitely play songs like ‘Don’t Let Me Down – Remix’ and ‘Takeaway,’ like a lot of the bigger sing-along stuff. A little less dubstep when I’m in Asia. In America, in New York, I definitely play more head bangers.”

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