Photos of Timothée Chalamet playing Bob Dylan will doubtless prove successful advertisements for “A Complete Unknown,” but to modern eyes they are perhaps also a warning of an entirely different kind.
Timothée Chalamet is in New York while filming A Complete Unknown, a biopic based on the life of Bob Dylan, but when surveilling the on-set photos taken of this sullen guitar man—in his sage-green chinos and crumpled corduroy jackets with that 2-in-1 frizz around his head—Chalamet looks as though he could be playing an even more familiar character embedded into contemporary consciousness: that of a terrible man whose sensitive songwriting is almost as egregious as his romantic misdemeanors.
This is the kind of person who will invite you into his apartment after espousing the various benefits of rolling tobacco—see: the baker boy cap—and generously educating you on a little-known thing called capitalism—see: the mittens—before running his fingers through your hair and saying something like, “When you love, love wholly, love unabashedly; give yourself.
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