I Saw the TV Glow Filmmaker and Star Open Up About the Hypnotic Coming-of-Age Experience

Writer/director Jane Schoenbrun and star Brigette Lundy-Pain discuss the A24 film.

Genre films have been a staple of the transitional state between being a kid and being an adult, as a number of genre projects use metaphorical storytelling to represent real-world fears.

ComicBook.com: Brigette, when you were growing up, what was your Pink Opaque? What was your thing that was your secret handshake with friends, a world that you could immerse yourself in? Also, if you could go back and tell that person growing up who had their Pink Opaque, what advice would you give to them now as an adult?

Jane, it is clear that this is such a personal film for you, and I know so many audiences are going to connect with it.

I think it's usually that part of the process that feels most purely, I don't know that I would say therapeutic, but where I am most deeply engaging with the personal in a way that feels transformative. When you make a movie, that's just fun. That's just getting to play, hopefully, in a sandbox with a lot of other cool weirdos.

So, for instance, Frances Quinlan from the band Hop Along, writes a new song on the soundtrack. I remember sending her a lot of very trip-hop-influenced stuff. A lot of Portishead or Garbage, because I loved her sound and I thought it would sound really interesting to detour down in that direction a little bit.

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Brigette Lundy-Paine I Saw The TV Glow Jane Schoenbrun Reaction Explained Released Streaming Ending Soundtrack

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