Cooper’s hauntingly atmospheric encore alleviated the mood of seriousness that she brought to this programme of Schubert and Beethoven
All of this is unfair to Cooper, since her main recital was a highly intelligent and often beautifully executed mix of significant miniatures and one outright masterpiece from 1820s Vienna. The miniatures, Schubert’s 12 Ländler dances D790 and Beethoven’s 11 quirky Bagatelles Op 119, were deftly done. Cooper’s generous tone and enviable ability to create keyboard colour made the Schubert particularly rewarding.
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