A new take on an old horror-movie genre is part arthouse, part grindhouse — and all heads-being-pulled-through-bloody,-punctured-torsos. See it ASAP!
, and yes, we admit that this review has already drawn battle lines: You can sense jump-scare purists scoffing, arthouse habitues recoiling, and anyone who falls within the center of that Venn diagram salivating. That middle ground is indeed the sweet spot of writer-director Chris Nash’s feature debut, which adopts a calming, oddly meditative aesthetic before making extremely good on the promise of its title.
It starts, as so many great, grisly excursions into the underbelly of cinema do, with dumbass youngsters and a curse. Traipsing around in a forest, two guys come across a graveyard. One of them pockets a locket he finds hanging on a stick. Seconds after they walk off, someone, or perhaps somerises from beneath the earth.
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