For CécileBEvans, there is no border or difference between life online and offline 👀
, there is no border or difference between life online and offline. The progressive artist’s practice covers many of the cultural tropes that embody contemporary life – our relationship to technological interfaces, the idea of identity in a changing digital landscape, and the pop cultural ephemera that makes up the everyday. This manifests as a variety of “hyperlinked” works that range from animated videos, sculptural objects, online spambot projects, digital prints and holograms.
The output definitely relates to the input – I consume a lot of pop culture. Making connections between pop and more historical or theoretical materials is a relief when dealing with human condition issues.
Hyperlinked narratives. It’s the sensation of moving through subjects bound by associations that breed more subjects… it becomes impossible to follow. What’s left is more emotional: to live with or within a question. This feels like a more honest way to script the videos, rather than putting forward an obvious argument or objective. Roger Ebert once said about “Everything makes sense, but nothing holds together…what’s going on? It’s as bad as life.
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