Starring Léa Seydoux and George MacKay and unspooling in three different decades, director Bertrand Bonello's latest adds to the canon of romantic dislocation.
Whether it’s Charlie Chaplin literally trapped in the gears of industrialization in “Modern Times” or James Cameron crafting a gripping vision of robots enslaving us in “The Terminator,' audiences are consistently confronted by the threat of machines. But French writer-director Bertrand Bonello’s disquieting new film paints those anxieties in muted new colors, chronicling a love story that spans its characters’ past lives and future selves, condemning them to eternal discontent.
’s endless sunshine proves an ironic counterpoint to both Gabrielle’s failure to become a Hollywood star and Louis’ angry incel-fueled video diatribes directed at the women who won’t date him, his sights now set on Gabrielle. With its green-screen opening and unconventional end credits — you need to scan a QR code to see them — “The Beast” disdains our encroaching digital reality, but Bonello argues that the process of dehumanization occurs in myriad subtler ways.
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