Follow-up to the company's masterpiece about a young girl's emotional mindset ups the ante by tackling teenhood and not shying away from negativity.
‘s deep dive into an 11-year-old’s brain quickly ascended to top-tier status; the combination of old-school cartoonishness, a color scheme that left no hue untouched, a celebrity voice cast with comic chops, and a perfect combo of childlike imagination and mature insight into the moment you start leaving childhood behind established it as one of the company’s best works to date.
this film’s view of puberty as a gamechanger is fairly tame. Not to mention that the “real” world that screenwriters Meg LaFauve and Dave Holstein, and director Kelsey Mann come up with is the sort of place in which cell phones and selfies are prevalent, but social media is virtually MIA — a utopian vision that nonetheless seems odd in a movie whose villain is Teen Anxiety.
Pixar has been good at tackling thorny emotional terrain in an accessible, translatable-for-all-ages way since Buzz first met Woody. Whenwent the extra step of giving us a literalized emotional terrain and rendering everything with such a heart-rending wallop, it lifted the bar that much higher.makes good on that film’s promise by making good on it’s next-step premise. That first one viewed sadness as necessary for a child’s well-rounded mindset.
‘Dancing for the Devil’ Subject Miranda Derrick Says Her Life Is ‘in Danger’ and She’s ‘Being Followed’ After Netflix Doc’s Release
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