As her new book Sculpting the Senses is published, the groundbreaking designer discusses skydiving, fashion as art, and why her work connects to science and architecture
MR: How was the process of putting your material work into words?� IVH: It was important that the texts showed my multidisciplinary way of working. I see fashion as a form of art – it connects to architecture, to science, to so many layers of life. I wanted an interview with myself so people can have insight into my personal process and way of thinking. Then there is a piece from scientist Ariane Koek, who wrote about the relationship between my way of working and the world of science.
MR: The collaborative nature of the book mirrors your own design process. How does it feel to hand your ideas over to others? IVH: I’m a control freak by nature. I like mastering my technique and to go really far into the complexity of it. But now and then, I consciously bring chaos into my process because that gives a very different energy to the work. And it’s a very good contrast to the controlled, almost technological side of the work.
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