“Job' is essentially a scrambled and screaming monologue with an additional character who serves as an audience and a mystery shocker element thrown in.
“Job,” a surprise Off-Broadway hit from last season that has now transferred to Broadway, is essentially a scrambled and screaming monologue with an additional character who serves as an audience and a mystery shocker element thrown in.
And now comes “Job,” an 80-minute, two-hander psychological thriller written by the little-known Max Wolf Friedlich and starring Peter Friedman, a longtime veteran of New York theater who recently had a supporting role on the HBO drama “Succession” as the mild-mannered COO Frank Vernon, and Sydney Lemmon, who herself appeared on two episodes of “Succession” in a small role.
Eventually, “Job” transitions into an initial therapy session, with the manic and over-stressed Jane going into the details of her life in response to Loyd’s gentle questioning. However, the sense of realism is occasionally disrupted by hallucinatory visions and sounds. Eventually, the situation flips due to some deeply troubling accusations, which I won’t spoil.
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