Francis Ford Coppola's expensive opus is a lot of things at once, but mostly a reminder that an imaginative mess can be preferable to a safe, tasteful enterprise.
f you were a filmmaker who had made at least four of the greatest films of the late 20century, had amassed a nice chunk of money to spend thanks to some sound investments, and had reached a point in your life where you cared more about speaking to an audience than pleasing it, what kind of movie would you make? Would you reboot your favorite IP? Adapt a seemingly unadaptable book? Make an improved version of, say,just to prove it could be done ? And what part would your ego play in all this—or...
By now anyone who hasn’t been living under a rock knows that Francis Ford Coppola spent a truckload of his own money to bring a long-germinating dream to life withthe story of a futuristic American city rattled by an ideological earthquake of dueling egos and conflicting ideals.
But Cesar, a widower still mourning the wife he lost years ago, is humbled by a young woman who steps into his orbit: Julia Cicero , the mayor’s daughter, is as smart as he is, maybe even smarter—she has the right quote from Marcus Aurelius for every occasion. But she’s also simply more intuitive. She’s dazzled by Cesar’s powers, and when they’re in danger of seeping away, her very touch restores them.
And if you’ve seen any of the small, independently financed pictures Coppola made earlier in the 2000s, particularly his imaginative 2011 fairytale-murder-mysterymight not seem all that weird. Late in his career, Coppola freed himself to play more with fanciful images, and he indulges freely here. There’s a futuristic fashion show, complete with finely draped and pleated dresses that resemble undersea life forms.
What does it all mean? It’s clear that Coppola is feeling some anguish over the way certain honorable American ideals—essentiallyideals—have become distorted and warped, maybe even discarded altogether. It’s become almost unfashionable to care about the country’s future. You hear the phrase “burn it all down” a lot; the nihilist’s way is always the easiest.
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