The Girls on the Bus hits Max 3/14!
Summary The Girls on the Bus follows four female journalists as they follow a presidential candidate through the democratic primary elections. Sadie is an ambitious young journalist who idolizes the reporters of the past; Grace is a seasoned veteran with a knack for scooping the others; Kimberlyn is an outsider working for a conservative cable television news channel; and Lola is a social media influencer who is looking for purpose.
Melissa Benoist: I was so attracted to Sadie's tenacity and how passionate she is for what she does, and how she's a journalist with a capital J. She's the second reporter I've played, but it was very different from Supergirl because Supergirl we didn't really get to focus on what it actually means to be a reporter and what that feels like and what the lifestyle is.
She's like, "I'm sorry that I was so b---hy during that. I get really triggered at funerals. I've been to so many of them." To me, it was really cool to just layer that into the character. She's so snappy. She's very whatever, kind of off the cuff, but a lot of that is she's triggered and is a trauma response of "my walls are going up", because she's been through so much. It was a very cool way to color her as a character.
Natasha Behnam: I think she learns so much. She learns everything from these women. She doesn't know anything about being on the trail, and so they essentially teach her everything. Episode three, we have the pool moment. She's just taking things for what they are and then being like, "Oh, okay, I didn't realize that."
Natasha Behnam: I did too. I got chills when you asked that. I was like, "Yeah, every single person I was like, 'Whoa,'" as I'm acting with them. I remember feeling that way really when we were filming the pilot, the first episode, and I had a scene — Well, most of my scenes were with Christina, and she was so real and grounded. I remember being like, "Okay, got to stand a little taller. Really got to show up." I felt that way with everyone. I really did.
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