Chase Hutchinson is a longtime editor and writer with more than a decade of experience in journalism. His work has appeared in a variety of publications including IGN, i-D, The Stranger, The Wrap, The Inlander, The Seattle Times, and The Boston Globe.
The Big Picture Sinister, controlling, and unnerving, the A24 film Men from writer-director Alex Garland, known for Ex Machina and Annihilation, and this year's Civil War, tells the story of Jessie Buckley’s Harper, who decides to take a solo vacation to the peace and quiet of the English countryside. Upon arriving, she is given a tour by Rory Kinnear’s bumbling yet sinister Geoffrey.
Men R A young woman goes on a solo vacation to the English countryside following the death of her ex-husband. 7:51 Related Alex Garland Denies Retirement Rumors: "Filmmaking Does Not Only Include Directing" The 'Civil War' writer-director clarifies previous statements, talks about working with Danny Boyle, and the inspiration for his anti-war movie. This first becomes present when, on a walk through the woods, she sees a screeching figure that begins following her. She manages to run back home, though we soon see that this man has followed her all the way back.
In the climactic scene, the various versions of Kinnear all begin giving birth to each other. With all the power of the written word at my disposal, nothing can fully encapsulate the experience of actually seeing this. Harper is just able to look on with stunned silence at what is unfolding. As she goes back into the house, the various men giving birth to each other continue to follow her until they are all the way inside. Then, seeming to emerge feet first, is James.
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