Natasha, Pierre & The Great Comet of 1812: A Musical Adaptation of War and Peace

Theater News

Natasha, Pierre & The Great Comet of 1812: A Musical Adaptation of War and Peace
MusicalWar And PeaceTolstoy
  • 📰 FT
  • ⏱ Reading Time:
  • 75 sec. here
  • 11 min. at publisher
  • 📊 Quality Score:
  • News: 61%
  • Publisher: 51%

This vibrant musical adaptation of Leo Tolstoy's War and Peace, Natasha, Pierre & The Great Comet of 1812, focuses on a key segment of the novel, exploring the intertwined stories of Natasha and Pierre amidst love, loss, and redemption.

It’s a complicated Russian novel,” sing the cast jauntily in the sizzling opening number of Natasha , Pierre & The Great Comet of 1812. “Everyone’s got nine different names.” The novel in question is War and Peace, the Tolstoy masterpiece that fuels this brilliant, luminous show — and yes, probably the last candidate for musical treatment given the fact that it is a) very long and b) a complicated Russian novel.

But Dave Malloy (music, lyrics, book and orchestrations) plunges in regardless, cheerfully embracing the fact that translating it to the stage is a rash move. “Gonna have to study up a little bit if you wanna keep with the plot,” chant the cast, winking at the audience as they identify, pithily, the key players — Natasha (young), Sonya (good), Anatole (hot) — and whisk us into the juicy segment of the story that Malloy has chosen to dramatise. Of the thousand-plus pages that make up War and Peace, he keeps just 70: a key passage tracing momentous experiences for Natasha and Pierre. Natasha, young, naive and in love with falling in love, is betrothed to Andrey, who is away fighting at the front. So when wily womaniser Anatole makes a play for her, she is easy prey. Pierre, a sad, bespectacled fish out of water, is unhappily married to Anatole’s sister Hélène and drinks too much, but has a life-restoring epiphany when he sees the great comet of 1812. Their stories of loss, despair, rebirth and redemption twine around each other, bringing stillness, depth and meaning to a show that elsewhere fizzes like a firecracker. Tim Sheader’s terrific UK premiere (the show was first staged in New York in 2012) uses the intimate confines of the Donmar to create a sung-through chamber piece infused with a dark streak of recklessness. He meets Malloy’s eclectic mix of musical styles — Russian folk music, klezmer, EDM, indie pop, soulful ballads — with anachronistic twists of his ow

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FT /  🏆 113. in UK

Musical War And Peace Tolstoy Natasha Pierre Donmar Warehouse Dave Malloy Tim Sheader

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