Nature gets a slick, high-tech treatment at the Denver Art Museum

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Nature gets a slick, high-tech treatment at the Denver Art Museum
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It is an interactive affair, and about as far away from a traditional display of pretty pictures hanging on a gallery wall as you can get.

Two gowns by Dutch fashion designer Iris van Herpen. “Biophilia” visitors are greeted by artist Jason DeMarte’s “Arcadia,” a digital college culled from photos taken in Costa Rica.

“Meadow,” created by the Dutch design team Drift, relies on “advanced robotics and complex software create a field of blooms in perpetual motion.” As a concept for an exhibition, that is not deep and it is not new. Nature has always been a dominant theme in design, probably the most persistent source of inspiration that ever existed, and there is millennia-long tour through the history of art, textiles, fashion and furniture to prove the point.

But visitors are more likely to fixate on the digital, or interactive, attractions, and those are the stars of this show. That includes the 2020 piece “Flowers and People — A Whole Year Per Hour,” by the art collective TeamLab, which formed in Tokyo. The work is a six-channel, digital projection of an animated field of pink and yellow petals that float across the gallery wall.

In the same vein, there is an impressive architectural model of Populus, the building — designed by Chicago’s Studio Gang — that is currently going up next to Denver’s Civic Center, that resembles the trunk of an aspen tree. The model offers new insight to anyone who is curious about the thinking behind the structure.Art exhibitions that attempt to show new technologies are difficult to pull off. Technology changes so quickly now that even relatively new works lack an edge.

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