Netflix shifts focus from 'auteur' films to audience perception

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Netflix shifts focus from 'auteur' films to audience perception
NetflixAuteur FilmsAudience Perception
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According to The New York Times, Netflix is changing its strategy and prioritizing how audiences perceive their films rather than making more 'auteur' films. This shift has resulted in the cancellation of a project involving director Kathryn Bigelow. The report also reveals that Bigelow left the project a few months ago.

According to The New York Times’ report, Netflix is quietly moving away from making more “auteur” films and instead hoping to focus more about how audiences perceive their films. As a result, the report mentioned thatwas officially no longer in the works and even revealed that Bigelow actually left the project “a few months ago.”

Bigelow made her feature film directorial debut in 1981 with The Loveless. Along with the Oscar-winning The Hurt Locker in 2008, she’s directed feature films such as 1987’s Near Dark, 1991’s, which was published in June 2022.

Koepp has previously worked on the screenplays for 1993’s Jurassic Park, 1996’s Mission: Impossible, 2002’s Spider-Man, 2005’s War of the Worlds, 2008’s Indiana Jones and the Kingdom of the Crystal Skull, and many more.Anthony Nash has been writing about games and the gaming industry for nearly a decade. When he’s not writing about games, he’s usually playing them. You can find him on Twitter talking about games or sports at @_anthonynash.

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