Courrèges creative director Nicolas Di Felice speaks about “trashy” music, and his personal vision for the future 🔮 'Bringing people together is everything,' he tells AnOther. Read on: Image by Sebastian Lager
, put a pin in that, however. “I just didn’t have the time to experiment anymore,” he says. At least, not in music.
And there’s even a link to music. Breaking with the tradition of silent salon shows, Courrèges presented his revolutionary Sixties clothes – all-white disco futurism and square-toed go-go boots – to strummed guitar tracks or throbbing drumbeats, underscoring the youth and dynamism of garments often co-opted by musicians of the time, like Françoise Hardy.
When it comes to his design ethos, Di Felice’s desire to expand the house’s vocabulary and captivate a new audience is clear: he is determined to design for real people living real lives, and perhaps to contradict some of our notions about Courrèges. The clothes are insouciant rather than aloof, sexy instead of cold.
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