Mother gives voice to an ageing homeless woman, Christie, as she wanders the laneways and watering-holes of a bygone inner Melbourne.
The poor and the marginalised have spurred Daniel Keene’s dramatic imagination since at least the days of the critically acclaimed
The play is far from misery porn. It’s shot through with black humour that accentuates the harrowing realities of Christie’s life – blighted by grief, mental illness, addiction, and the rejection and contempt of all .
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