Erick Massoto is a Brazilian writer who's always loved film and TV and loves finding connections between them. In Brazil, he's written for media conglomerate Globosat and for Collider he writes news and specializes on controversial topics.
The Big Picture If you watched the first episode of Parish and then skipped to the last one, you’d think that you’ve tuned into two different series. For a lot of shows, this could be a good thing, but in the case of AMC's new series, it just serves to illustrate how the thriller story lacks focus. You’d also think that having Giancarlo Esposito in the lead would make the experience less excruciating — but that’s not the case here, either.
Right as Parish begins, the series gives you the impression that its title character is a mix of the titular character from Baby Driver and John Wick . Even the sequence that introduces Gracián is a pretty good one that offers a decent number of thrills.
For a lot of scenes, Esposito’s face is void of expression — the moments when Gracián is driving alone are some of the worst — and that could even be by design if the series did the work to showcase him as a person going through depression, but all that's delivered are surface-level emotions.
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