Guess who's back.
One of the sadder side stories of the 2010s, albeit largely self-inflicted, was the fall from grace of Peter Molyneux. While Molyneux's legacy in games can never be questioned, and he's been a key player in many great and influential games, the 22Cans era saw him begin in full carnival barker mode and over-promise about the studio's games, capabilities, and what they would achieve with them.
It seems to me Molyneux has rather missed the point, and things don't get much better."I do think, though, we have stumbled, and it feels like stumbling on a mechanic that has never been seen in a game before," said Molyneux."I feel like we are exploiting that mechanic in a world and an environment which may be familiar to people. And because it is in a familiar environment, it'll be a lot fresher.
"Yeah. I mean, I'm so tempted just to tell you about or show you that the pitch video we've been showing… But that would be the start of the slippery slope of telling everyone" said Molyneux. There is one interesting tidbit though, which is that he's rolled up his sleeves for the first time in decades:"The only thing I can say is that, firstly, this game is the first game really that I've been a coder on since Black & White. it makes it very special for me.
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If Friday the 13th must die, it's going out with all players on a highRich is a games journalist with 15 years' experience, beginning his career on Edge magazine before working for a wide range of outlets, including Ars Technica, Eurogamer, GamesRadar+, Gamespot, the Guardian, IGN, the New Statesman, Polygon, and Vice. He was the editor of Kotaku UK, the UK arm of Kotaku, for three years before joining PC Gamer. He is the author of a Brief History of Video Games, a full history of the medium, which the Midwest Book Review described as '[a] must-read for serious minded game historians and curious video game connoisseurs alike.'
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