Rujeko Hockley and Hank Willis Thomas, a prominent power couple in the art world, are dedicated to advancing racial equity through their respective roles. Hockley, an associate curator at the Whitney Museum, strives to make museums more inclusive for non-white people. Thomas, a renowned artist, explores themes of history, slavery, and gun violence through his work.
ujeko Hockley and her husband Hank Willis Thomas first met over email in 2005 when Hockley was a curatorial assistant at the Studio Museum in Harlem reaching out to Thomas about exhibit logistics. But they didn’t get together until 2013, when a mutual friend introduced them at a group outing.
Now they’re one of the top power couples in the art world, each committed in their own way to advancing the cause of racial equity. Rujeko Hockley, 41, is an associate curator at the Whitney Museum of American Art, and Thomas, 48, is an artist who designed theing” history with his art, and a lot of his work focuses on making sure ordinary Black Americans are not forgotten.
Hockley, meanwhile, says it’s important for her to help non-white people feel welcome in “institutions that were not built for them.” While working at the Brooklyn Museum, she co-curated a show called “We Wanted a Revolution: Black Radical Women, 1965–85.”at the Whitney, Mehretu joined the museum’s board and teamed up with another trustee to make a donation in 2024 that made admission free for people under 25.
Thomas doesn’t know exactly what he will do with these faces, but Hockley seemed unsurprised by the burst of inspiration. “Artists’ brains are just constantly seeing connections,” she says. Looking up from the portraits, Thomas ended the interview with a statement that can sum up both the journey of an artist and of society in general: “The road to progress is always under construction.”TIME may receive compensation for some links to products and services on this website.
ART RACIAL EQUITY MUSEUMS SOCIAL JUSTICE HISTORY
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