With “Break My Soul”, a piece of Nineties house revival, Beyoncé signalled that she was looking to reclaim her pop as well as her cultural dominance
“too big to fail” was popularised by the press and politicians in the late 20th century, used to discuss financial behemoths. Today it is a pop-culture phenomenon, too, as many superstars enjoy unquestioning critical veneration.
Mostly it means that Beyoncé has returned to her pop roots. “Lemonade” , her previous solo work, was a remarkable thing: a blockbuster that sombrely addressed her marriage, feminism and black identity. It contained some startling standout tracks, though it wasn’t exactly dripping with club bangers.
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