a custom image of deadpool and wolverine director shawn levy for an interview
The Big Picture Since the first film blasted into theaters almost 10 years ago, the Deadpool franchise has dared to dream and push the envelope through much more than storyline, fourth wall breaks, and f-bombs. Also, high up on the list are the clever and perfectly crafted opening credit sequences.
Shawn Levy Steps Up To the Plate for 'Deadpool & Wolverine' Close That brings us to Levy, who helmed the recently released and record-breaking sequel Deadpool & Wolverine. For his time to shine, Levy went the classic pop route with NSYNC’s “Bye Bye Bye”.
“Nothing terrified me more, Ryan. I’ll admit this to you now. No aspect of this movie. Because Deadpool 1 and 2 are awesome and so the bar was high, but no aspect of that high bar scared me more than the title sequences because they’re both so good. And I remember spending a few sleepless nights thinking, ‘How can we meet that bar? How do we even have a chance of maybe exceeding it?’ And so that’s why the reaction of the title sequence is so meaningful to me.
“We had the opening, we had the premise, we had the actions, we had NSYNC, we had the song. And then it’s time to go and explore title treatments. And we did, as movies always do, which is you talk to a number of title houses, and you’re just going looking for an approach to the font to the titles. And one of those houses called Method, which had done work on both other Deadpool movies, but they were just one of many houses. One of like five different title houses, they pitched a font.
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