The Brighton five-piece hurtle along with huge shifts in style and pace
, produced by Dan Carey, has a lot going on: the influence of Douglas Coupland, field recordings of bells and bees, oblique lyrical reflections on everything from big pharma to Easter eggs. Paddling is typical, a nervy gallop from low-key motorik through spidery goth guitars to a ghostly spoken breakdown, opening at last into an exhilarating punk-funk-kraut expanse.
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