From the nonsensical sketches of 'I Think You Should Leave' to the breathtaking achievement of 'The Underground Railroad,' here are the 10 best TV shows of 2021
raised the bar for serious art, as well as serious political engagement, in the genre. Instead of zooming in on one manifestation of inequality, as many documentarians have done, he approaches it from the broadest possible perspective, tracing capitalism, colonialism, white supremacy and genocide around the world and through the centuries.
’s Julia Sweeney, whose androgynous Pat character has caused her decades of misery, improved upon its excellent predecessor, as our hero stares down demons that have tormented her since childhood. Flashbacks fill in Abby’s life up through college. Then comes COVID. The rawness is part of the show’s appeal. But what might sound like a downer is buoyed by scenes of tenderness, wonder and expertly deployed cringe comedy.
Framed in an opening flash-forward as the mystery of which character met with an ultimately death at the eponymous resort ,functions more as a hybrid of cringe comedy, wealth satire and vision of a malaise no amount of money can alleviate.
character bullying Bartlett’s unraveling manager to the judgmental banter between two hypocritical Marxist mean girls. Yet the show offered greater moral complexity than a brutal takedown like, thanks to the empathy it extended to all but the worst of his compromised characters. Instead of diluting White’s message, that choice implicated viewers by insisting that these clowns and monsters were people not entirely different from ourselves.
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