The 85,000 oyster shells that tell the Opera House’s real history

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The 85,000 oyster shells that tell the Opera House’s real history
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Each shell has been individually drilled to create a major installation on the forecourt, in a tribute to its Indigenous past.

“So gorgeous,” she says. “Some of them turn purple when they’re wet. Some are creamy, some are pale white. And, look, this native one, these tiny little lines, they’re teeth.Cope, an artist from Moreton Bay/North Stradbroke Island in southeast Queensland, known for her site-specific installations, has just finished installing, a major new public artwork for the Sydney Opera House, commissioned as part of its 50th anniversary.

Tubowgule, a resource-rich area and a historic place of ceremony, gathering and celebration, featured middens, mounds of shells and bones discarded by Aboriginal people. After colonisation, the middens were crushed to create lime to make stone and brick buildings., which features three installations on and around the exterior of the Opera House, combines two histories.“It’s a sculpture that’s an architectural intervention at the site,” she says.

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