Reed has a penchant for drama – skin glowed thanks to a special “non-touring” technique, which sees the face sculpted with highlighter.
at Tate Modern on 16 February? “Pageant queens meets Henry Moore,” according to the British designer’s show notes – with Charlotte Tilbury’s lead make-up artist Sofia Tilbury developing luminescent beauty looks to match.
Gold eyes were paired with lips embellished with rhinestones and glitter – Reed, after all, has a penchant for drama – while skin glowed thanks to a special “non-touring” technique, which sees the face sculpted with highlighter.Specifically, Tilbury applied a gold sheen to models’ temples, along their cheekbones, across the bridges of their noses, and even on the bows of their lips.
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