The Cut, a publication formerly supportive of Harry and Meghan, published a scathing critique of the couple and their new Netflix series, 'Polo'. Writer Danielle Cohen compared the series' fate to Meghan's failed jam company and mocked Harry's reported podcast ideas. The article highlights the growing public apathy towards the couple, suggesting their brand is failing.
Even Harry and Meghan 's most ardent fans are abandoning them. The formerly pro-Sussex publication The Cut — part of the ultra-woke New York magazine — ran a savage little piece last week. In just three paragraphs, writer Danielle Cohen eviscerates the pair and their new Netflix docuseries, 'Polo'. 'Seems like this one is bound for the same fate as Markle's beleaguered jam company,' Cohen wrote.
If this 'vision' was akin to reports of his aborted podcast idea — interviewing the likes of Vladimir Putin and Donald Trump about their daddy issues — no wonder it's a flop. Meghan, of course, has remained delusional as ever, telling Town & Country last year that she and Harry 'have so many exciting things on the slate'. Sure. Who wouldn't believe someone whose podcast fizzled, whose animated series was axed, whose launch of the lifestyle brand American Riviera Orchard has failed to achieve liftoff? America has moved into a new phase of this relationship. We no longer even rubberneck with these two. We have become utterly uninterested. And that's the death knell for Brand Susse
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