Swinton plays a woman abandoned by her lover in a short, affecting drama that echoes the uncertainties of lockdown
’s new short film is perhaps the most viable and relevant type of film production: a tale of someone isolated, regretful, anxious, unable to tell whether current arrangements are contingent or permanent, retreating into gestures of self-immolating despair. This theatrical piece is loosely based on Jean Cocteau’s 1930 stage play of the same name. It was adapted by Rossellini in the 40s, and also proved to be a jumping-off point for Almódovar’s own Women on the Verge of a Nervous Breakdown.
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