Five of RobbyMuller’s most brilliant works 🎥
. Coming of age in the 1960s, and inspired by the naturalistic methods of shooting pioneered by the burgeoning Italian neorealist, Nouvelle Vague and Cinéma Vérité movements, Müller set out to develop an esoteric manner of filming, which shunned unnecessary technical aids, fancy “camera acrobatics” and generic framing devices in favour of long, wide shots that suck viewers into the action with a magnetic intensity.
Unlike his work with Wenders – defined by expansive, languorous shots, often captured from moving vehicles, and bright, beguiling colours – Müller here employs tight framing, motionless camerawork, and a soft, washed-out colour palette, all of which serve to emphasise the sense of isolation engulfing the film’s protagonist.
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