Will Tracy, writer of “The Menu” and “Succession,” explains the ending of his brutal, bloody, and kinky HBO show.
) and hating America? That was nothing. It was all just a “wobble,” Elena says, after nearly being killed in a civil war that takes place in her country.says with a laugh on a Zoom with The Daily Beast’s Obsessed. “That’s the only way you can phrase it without having a complete collapse in her brain.”
A moment that really struck me in the finale was when we finally see Elena with her wig off. She’s been sporting these powerful blonde hairstyles, but, underneath it all, she’s a balding brunette. What’s the significance in that? Anyone’s interpretation is valid. But my interpretation is that they both, at this point, finally know each other and their vulnerabilities so well that, as soon as she starts telling him, “We’re going to fight it,” she knows that he knows that she knows—it’s another dream. It’s bullshit, but it’s like, “Let’s have one more of these beautiful bullshit dreams.” They both know it. He’s no political scientist, but he knows what the pressures are. Ultimately, survival is her only animated principle.
To me, it’s right there in that first scene. The love story of the two characters begins right there in their office. I have young kids, so it’s pulled right from—“Oh, I know you. I walked with you once upon a dream.” Right there, they begin this dreamy love story. When we see glimpses of their dreams, they’re often quite upsetting.
Even when she’s out there in the world in Episode 6, confronting the world that she made, she’s not able to quite see that she’s responsible. It’s the same way people who commit terrible crimes or murder somebody, over the course of their criminal trial, will actually convince themselves that they are innocent and actually start to believe it. In some ways, I thinkthinks he’s innocent. He’s convinced himself, even though he knows he’s not.
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